人与物的交互关系在缓慢的时间演变中产生，

Human-object interactions emerge in slow time evolution, 

每件物品都能低声地说出一段生活故事。

Each object whispers a life story.

 

 

 

 

 

 

“基本”与“再设计”之间的探索是一种是重新思考并定义的过程，它是对某种约定俗成的反问，也是个体对自我经验的辩证。

 

The exploration between “basic” and “redesign” is a process of rethinking and defining. It is a rhetorical question to a certain convention, and it is also a dialectic of the individual’s self-experience.

 

 

 

 

 

 

设计是通过结构化的解决方案，提升人类行为的效用。物品的日常性往往将它的本质包裹住，以至于人们常常错过或忽略它们的变化，包括对材质的接触和操作过程，更难以对其产生不同的认知。

 

Design is about enhancing the utility of human behavior through structured solutions. The daily nature of objects often wraps up their essence, so that people often miss or ignore their changes, including the contact and operation process of materials, and it is more difficult to have different perceptions of them.

 

 

 

 

 

 

竖向挺立是重力最直白的表达，通过柱网以及商品陈设的均质排列，空间被处理成规律的格网。而柱子却是两种形态的结合：一种是坚实的支撑，另一种是空间的叙事。被重新理解的“柱子”，既以重塑的秩序在不经意间引导着空间动线，也以让常规物件发生本意变化的做法激活观者灵感的觉醒。

 

Vertical standing is the most straightforward expression of gravity. Through the homogeneous arrangement of column nets and commodity furnishings, the space is processed into a regular grid. The column is a combination of two forms: one is a solid support, and the other is a narrative of space. The re-understood “pillar” not only guides the spatial movement inadvertently with the reshaped order, but also activates the awakening of the viewer’s inspiration by changing the original intention of conventional objects.

 

 

 

 

 

 

“基本的再设计”不是一种风格，而是一种理念。它不是指设计内容的简单，而是强调在设计创作中一种赋予熟知事物新鲜生命的态度，同时也增强了人们与日常生活中触碰到或观察到的所有构筑物之间的多维度的交流与感受。

 

“Basic redesign” is not a style, but a concept. It does not refer to the simplicity of design content, but emphasizes an attitude of giving new life to familiar things in design creation, and also enhances the multi-dimensional communication between people and all structures touched or observed in daily life. 

 

 

 

 

 

 

对于日常的物品的新体验，其层次之丰富含义远远超出了单纯的功能和便利，而使用者也更为珍惜这一经历。因为随着时间的推移，每件物品都会低声地说出一段生活故事，诉说着它们与使用者共同度过的岁月，它们仿佛不是一个没有生命的物体。

 

For the new experience of everyday objects, the rich meaning of its layers goes far beyond the simple function and convenience, and users cherish this experience even more. Because over time, each item whispers a life story about the years they spent with their users, as if they were not an inanimate object.

 

 

 

 

 

 

日用产品的消费空间应该引导人们发现日常生活的美好，观察曾被大众忽视的生活细节。设计抓住时代的特征，当使用它的人与之共同创造出友好和趣味，这个设计对象即被赋予意义，回归生活，回归真我。

 

The consumption space of daily products should guide people to discover the beauty of daily life and observe the details of life that have been ignored by the public. The design captures the characteristics of the times, and when the people who use it create friendship and fun with it, the design object is given meaning, returns to life, and returns to the true self.

 

 

 

 

 

 

在局部和材料的设计上，通过对日常物品的二次加工，改变其使用方式，使物品出厂设置的本意在此发生改变。利用局部与局部间关系的替换存在于行为交互中，试图以一种幽默的方式唤起大众对“基本”的再解读。

 

In the design of parts and materials, through the secondary processing of daily objects, the way of use is changed, so that the original intention of the factory settings of the objects is changed here. The replacement of the relationship between parts and parts exists in the behavioral interaction, trying to evoke the public’s reinterpretation of the “basic” in a humorous way.

 

 

 

 

 

 

“重新设计基本款”在不仅是概念的表达更是一个真实的产品实践。回溯基本记忆是一个重建的过程，可能会导向不同的结果。人们可能会以自己喜好的方式重建事件，而不是根据他们曾经经历的方式。这就产生了日常生活中独特的记忆点，从而达成了专属的空间符号。

 

“Re-designing the basic model” is not only an expression of the concept but also a real product practice. Recalling basic memory is a reconstructive process that may lead to a different outcome. People may reconstruct events the way they like it, not the way they have experienced it. This generates unique memory points in daily life, thus achieving exclusive spatial symbols.

 

 

 

 

 

 

通过设计使参观者重拾对日常的关注，不动声色地引导其重新审视早已视而不见的日常生活，将其推倒重来，甚至将地基连根拔起：“日常生活中的场景最适合用来质疑真实性“。面对变幻莫测的城市生活，保持不动声色和习以为常的惯性的人们在这一品牌空间中重新发现了日常生活。

 

Through the design, visitors can regain their attention to the daily life, quietly guide them to re-examine the daily life that has long been blinded, tear it down, and even uproot the foundation: “The scenes in daily life are the most suitable for questioning the truth.” In the face of the unpredictable urban life, people who keep calm and habitual inertia rediscover their daily life in this brand space.