美是时间消失的那刻，

Beauty is the moment when time disappears，

美在永恒出现的地方。

Where beauty appears in eternity.

 

 

 

 

 

 

审美首先意味着“入场”，审美就是要进入一个场域之中，与其他所有艺术元素一起共同构成一个整体性艺术情境。

 

Aesthetics first means “entering the scene”. Aesthetics means entering into a field, and together with all other artistic elements, it constitutes an overall artistic situation.

 

 

 

 

 

 

美是什么？每个时代有每个时代的审美观，甚而每个人都有自己独特的对美的看法和品位。而正因为有太多的答案，我们因为无法知道美到底是什么。 而美成为一个具有太多复杂含义的词。它穿越一切又凌驾一切。它是无法言说的，又切切实实的震动我们的。

 

What is beauty? Each era has its own aesthetics, and even everyone has their own unique views and tastes of beauty. And precisely because there are too many answers, we cannot know what beauty is. And beauty has become a word with too many complicated meanings. It traverses everything and surpasses everything. It is unspeakable, and it really shakes us.

 

 

 

贯穿始终的连接

Throughout the Connection

 

 

 

恒定且自发的红色“缎带”

Constant and Spontaneous Red “Ribbon”

 

 

 

从主体的感知方式角度说，美是“感”出来的，而不是推理推出来的，后者属于哲学范畴。美是目击而存、耳听而在的，而非推理、论证而在。即使那些崇高的东西，也是因“感”而生；对于一些没有感性对象存在的东西，我们也可以产生崇高感，比如高尚的精神，但那也是一种因“感”而生的情感，而非抽象的判断，是因为这种精神“感人”才产生的。

 

From the perspective of the subject’s perception, beauty comes from “sense”, not from reasoning. The latter belongs to the category of philosophy. Beauty exists by witnessing and hearing, not by reasoning or argumentation. Even those noble things are born out of “sense”; for some things that have no perceptual objects, we can also have a sense of nobleness, such as a noble spirit, but that is also an emotion born of “sense”, and Non-abstract judgments are produced because of this spiritual “touching”.

 

 

 

 

 

 

从主体的感知方式来看，美是在直观活动中产生的，具有直接性的特点；而哲学的道理却不然，是非直观性的，它是理性活动的产物，而且也只有通过理性活动才能够把握。在直观中产生的美感，却不是理性能够控制的：我们去直观一个对象时，能否产生美感、产生怎样的美感，我们既不能预知，也不能控制，换句话说，美不能有计划地生产。这就是通常所谓的审美的非理性特征。

 

From the perspective of the subject’s perception, beauty is produced in intuitive activities and has the characteristics of directness; while philosophical principles are not, it is non-intuitive. It is the product of rational activity, and it can only be grasped through rational activity. The beauty produced in intuition is not controllable by reason: we can neither predict nor control whether we can produce beauty and what kind of beauty when we visualize an object. In other words, beauty cannot be produced in a planned way. This is the so-called irrational feature of aesthetics.

 

 

 

 

 

 

美中当然蕴含有日常生活的东西，但决定美成为艺术的不是这种“日常”性，而是其“非常”性。美可以就是活着，每一秒钟，每一次呼吸就是一个作品，那是不留痕迹的。真正永恒的美，不限在诗里，也不限在画里，不限于现在，也不限于未来，到处都有，随时可得。

 

Of course, beauty contains things of daily life, but it is not this “daily” nature that determines beauty to become art, but its “extraordinary” nature. Beauty can mean being alive, every second, every breath is a work, that leaves no trace. The true eternal beauty is not limited to poems or paintings, not limited to the present, nor limited to the future. It is everywhere and available at any time.