人生的本质是诗意的，

The essence of life is poetic.

人是诗意地栖息在大地上的。

People live on the earth poetically.

 

 

 

 

 

 

你不能规划“空”，但可以画出它的边界。这些边界成为了意识的身体，如果想要产生美，必须在弥漫于这个“不在场”中的光线和共鸣上着笔。空间承载了情感的多重性，也赋予了形而上学的沉默，类同于诗。

 

You cannot plan “emptiness”, but you can draw its boundaries. These boundaries become the body of consciousness. If you want to produce beauty, you must write on the light and resonance that permeates this “absence”. Space carries multiple emotions, and also gives metaphysical silence, similar to poetry.

 

 

 

 

 

 

在追逐本源的道路上，设计师在寻找用实体描绘意识的方法。他们尝试以最精确却感性的方式去使用材料，尽管材料本身不是诗性的，但材料的触形、气味、声学品质和光学感受是诗性空间的语言，他们挖掘出某种材料的特殊本质意义，诗意便产生了。空间材料的使用开始变得饱含情感，令人回味。

 

On the road of chasing the origin, designers are looking for ways to describe consciousness with entities. They try to use the material in the most precise and perceptual way. Although the material itself is not poetic, the touch, smell, acoustic quality and optical perception of the material are the languages of the poetic space. They unearth the special essence of a certain material, poetry came into being. The use of space materials began to become full of emotion and evocative.

 

 

 

 

 

 

本质主义尝试发展一种让事物成为它愿意成为的那样的设计，这是基于真实物理属性和心理感受的材料的组织。现代主义的潜台词是“空间”和”造型“后才是墙体的材料。而本质主义的构思是基于建造的物质表达，是抛弃所有别的手段后回归空间的“空”的本质。

 

Essentialism attempts to develop a design that makes things the way it wants to be. This is the organization of materials based on real physical properties and psychological feelings. The subtext of modernism is “space” and “modeling” before the wall material. The concept of essentialism is based on the material expression of construction, which is to return to the “empty” essence of space after abandoning all other means.

 

 

 

 

 

 

多重性也与沉默之间存在一种具有张力但摇摆不定的联系，本质主义的关键在于它们的平衡。形状是结果，而非原因，美并不是单单从形体中产生，而是这个形引发我们去探索的本质，知觉和情感的多重性。情感揭示了物的真实内核，而情感又引发了记忆的产生。

 

There is also a tension but wavering relationship between multiplicity and silence. The key to essentialism lies in their balance. Shape is the result, not the cause. Beauty does not arise from the shape alone, but nature, perception and emotion that this shape triggers us to explore. Emotions reveal the true core of things, and emotions trigger the production of memories.